Against the soft glow of a sun-drenched background, a solid, squared arch emits an unsettling soundscape, compelling a choreography of contrasts: fluid yet fragmentary. The original short film and photographic editorial ‘BOGEN’ (German for Arch) marks Ignant’s latest interdisciplinary project. Created in collaboration with Jason Heath of Berlin sound design agency Mosche, the film centers on a sonic sculpture by New York artist Kevin Stahl, around which dancer Meyron weaves a choreography of contrasts. Offsetting visual clarity with a disconcerting aural ambience, BOGEN reverberates as a portal to myriad constellations and possibilities. In conversation with Jason Heath, to accompany the release of the short film and photo series, Ignant unraveled a few of them.

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To open the Berlin chapter of his family’s storied architecture practice, bächlemeid, Julian Bächle moved into a former gallery at Kurfürstenstraße 142, at the core of the Potsdamer Straße arts district. Soon after, he activated the semi-subterranean space with an exhibition of contemporary collectible European furniture design. The move exemplifies his expansive view of space-making – partially cultivated under the wings of John Pawson and Virgil Abloh – which slips through the barriers between creative disciplines. On a private tour of the bächlemeid Berlin office, Julian opened up to Ignant on his foray into the city’s art milieu, his no-repeat approach to architecture, and the abandoned building he’d most like to revitalize.

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To decode the warm minimalism of Berlin architecture practice Studio Mara reveals a reverence for the natural, the raw and the nuanced. Yet it’s what the duo’s spaces leave out that defines their subtle atmospheres – something felt more than seen. Whether rehabilitating Berlin lofts carved up by misguided ‘90s renovations the or unfurling a hunched Majorcan finca towards an ocean view, the architecture of Mirjam Danke and Olaf Schulz is a practice of subtraction. In an exclusive editorial feature, the partners in life and work invited Ignant into their new workspace at Glint in Berlin-Mitte, whose gentle essentialism exudes a powerful presence.

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A spongy carpet of velvety green oozes out of a corner, spilling along a corridor between perforated concrete and glass. A string of yellow beans winds itself down a stainless-steel shelf. Mounds of grapes atop a banquet table recall a Nature Morte painting. Each is the work of Studio Lilo, the practice of Kreuzberg-born and -bred artist Lilo Klinkenberg, whose darkly romantic living sculptures have over the past few years unfurled across industrial spaces, art institutions and high fashion installations around the world. In conversation with Ignant, Klinkenberg shares her trajectory from fashion to hospitality and floral design, her unlikely sources of inspiration, and her enduring appreciation for chicken wire.

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Some architects take their time embedding themselves into the public conscience, while others burst onto the scene in the splash of a single project. For young Berlin practice Atelier Sunder-Plassmann, that project was Hof Ahmen, a 55m2 glass-walled holiday home on the “gentle landscape” of a working sheep farm in the brooding coastal grasslands of Schleswig-Holstein between the Baltic and North Seas. To accompany an exclusive editorial for Ignant, Founder Malte Sunder-Plassmann shares how a personal project realized in his “night hours” catapulted an architecture office into being.

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Greek boutique agency Studio Bonarchi designs interiors with contrasting elements. Between refined sophistication and summer serenity, between robust marble sinks and soft linen sheets, between local heritage and cosmopolitan modernity, their spaces are of laid-back elegance. Through its signature touch of accentuating muted and neutral tones with dark elements, the studio continually draws the eye to the most powerful presence of all: natural light.

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Mountain peaks have borne witness to the Sun’s rise and fall for millennia. Dusty paths have been carved by centuries of footfall. Still, every day the tide ebbs and flows, lapping sparkling sands. In the presence of nature, time feels expansive. The steadfast cycles of the natural world offer perspective on the arc of our days, attesting to what has gone before while paving the way for all that is yet to come. A journey to the Cycladic island of Tinos to celebrate the release of the Hermès Cut timepiece invited reflection on centuries of craft, history’s traces on the land, and the nature of time itself.

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‘Culture First’ is a temporary exhibition dedicated to the emerging scene of collectible design and functional art. VAUST from Berlin and CØR from Paris have joined forces and developed this format to build bridges not only between art and design, but also between the two creative capitals of Paris and Berlin.

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Frama, the Copenhagen-based design brand, is regularly featured on Ignant’s pages. Their commitment to simplicity and uncompromised quality has led to the creation of a versatile range of interior products that consistently captivate us. Frama’s work embodies the essence of Scandinavian design philosophy, with its clear silhouettes, timeless design, and mindful way of living, making it a must-see for design enthusiasts.

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Set against the backdrop of the majestic Dolomites and surrounded by picturesque vineyards lies Bolzano, the capital of Italy’s South Tyrol province. The Alpine town is known for its historic city center, spectacular natural landscapes, and lively mix of cultural influences, and its proximity to Austria has earned it the reputation of being the bridge between Europe’s North and South. At the heart of the charming city, you’ll find Parkhotel Mondschein—a tasteful sanctuary for those seeking to disconnect and embrace il dolce far niente.

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Being curious about humans and their habits has proven to be a valuable quality for architects and designers. This is no different for Sam Chermayeff, who dedicates his attention to exploring how we live alone and together. In his practice, he is interested in creating spaces and objects that allow people to merge and meet in new ways. The most ambiguous manifestation of his research is the Kufu 142 building in the center of Berlin. Ignant visited the native New Yorker there to find out how his thoughts and observations translate to his practice.

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For those with a keen eye for thoughtfully designed interiors and spaces, it’s nearly impossible to oversee Eva Papadaki and her 10AM projects when zooming in on the creative landscape of Athens. There, within the walls of a former industrial building, she has built a multifunctional space that spans more than six floors and functions as a haven for like-minded people from around the world. In the final days of summer, Ignant travelled to Greece and visited Papadaki in her space, which is defined by a meticulous sensitivity to materials and forms.

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The German word Geborgenheit describes an emotional experience that encapsulates a sense of security, warmth, comfort, and being cared for. It is a feeling that typically emerges within a trusted and safe environment. To the architects of Atelier ST, cultivating this atmosphere within the spaces they create is a foundational pillar of their practice and philosophy. With the completion of their recent project, Duplex—a family home close to the city of Leipzig—the studio has created a residence that is blending into its surroundings while simultaneously making a bold statement. In the late summer days, Ignant travelled to Saxony to experience this exceptional building firsthand.

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The Greek word “Τόπος” [topos] reveals a remarkable flexibility when it comes to its applications. While at its core it symbolizes a physical place or location, its exact meaning can vary depending on the context. In literature, it symbolizes a recurring theme, in rhetoric, it equates to a commonplace—a widely accepted idea that builds the base of an argumentation. In all of its nuances mentioned above, however, topos embodies a given and a point from which further dialogues and ideas can emerge. Topos is also the term guiding the creative approach of the Athenian architecture and design studio Block722.

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When Ignant Founder Clemens Poloczek invited Shizuko Yoshikuni and Manuel Kuschnig of Berlin olfactory studio AOIRO to translate Ignant’s visual world into a room scent, a pair of complementary references—calm focus and the forest floor—formed the point of departure. Distilled through AOIRO’s holistic approach to scent creation, the result takes the form of a singular sensory experience conveyed through warm woods, earthy pine, and clarifying frankincense tempered with sage and rose geranium. To mark the release of the Ignant Scent, Shizuko and Manuel opened the doors of their studio, offering a rare view into their aromatic interpretation of an aesthetic.

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